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A special exhibition (展览会) titled Life Is a Song–Wan Tongshu and Xinjiang Uygur Muqam Art (木卡姆艺术) was held from August 23 to 27 in Aksu, Xinjiang.

Through objects, pictures, sounds and other forms, the exhibition was held to remember Chinese musician Wan Tongshu because he helped protect Uygur Muqam art. The exhibition was divided into two parts: “Wan Tongshu’s life story” and “Protection and inheritance of Xinjiang Uygur Muqam Art.”

Xinjiang Uygur Muqam mixes songs, dances and folk and classical music. Of these, the Twelve Muqam is known by the most people, with the largest spreading area and the most complete structure (结构).

In the thousands of years of its history, the Uygur Muqam had been passed on by word of mouth which made it difficult to be completely remembered. By the 1940s, there were very few folk artists who could sing the whole Twelve Muqam, and the art form had been brought to the danger of being lost. Government-organized protection work started in 1950. In 1951, Wan Tongshu and his wife went to Xinjiang to help with the collection of Twelve Muqam, and published the collection “Twelve Muqam”. The collection was helpful for the following research and spread. Over the years, experts and scholars (专家学者) have tried hard to protect Xinjiang Uygur Muqam together with local folk artists.

For its cultural value, Xinjiang Uygur Muqam art was included as one of UNESCO’s Masterpieces of Oral and Intangible Heritage of Humanity (人类口头和非物质遗产代表作) in 2005, and was listed on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity in 2008.

1．When did the exhibition begin?
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2．Why was the exhibition held?
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3．In history, how was the Uygur Muqam passed on?
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4．What kinds of music does the Uygur Muqam include?
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5．What did the collection of Twelve Muqam help with?
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